I had fun working on this illustration for The Wall Street Journal, about the link between gambling-friendly attitudes in various areas and companies misreporting financial information. Thanks to Orlie Kraus, art director.
I've been busy illustrating for The Economist lately! Here are a few of my favorite images I created over the past few weeks for their Banyan Section on Asian Politics.
Illustration for The Economist Magazine. “President Rodrigo Duterte’s war on drugs has killed perhaps 9,000 Filipinos.”
It's always a great pleasure illustrating for the weekly Economist's Banyan section. This is something I created for an article describing how the remaining 11 countries of the Trans Pacific Partnership are trying to survive after their economic superpower trading partner, the US, recently cut off relations following the implementation of President Trump's new trade policies. (Article here)
With the many language groups and dialects spoken in China today, Mandarin rises to the front. The challenge for this illustration was to convey the clashing of many smaller and differing dialects coming from the same place, but merging into a larger and more direct communication.
Despite censorship efforts on the part of their government, independent documentary films are coming out of China that shed light on its life and politics. For The Economist magazine's Banyan column on Asian politics.
It was great working with art director April Montgomery on a new cover and inside illustration for September's Computerworld. The challenge was to show how data mining is being used by modern scientists in their real-world applications and discoveries.
I've just completed a series of large fine art prints commissioned by the Yale New Haven Health program using textured, abstract figures to depict motion, for their hospital hallways. We wanted to convey a positive, uplifting feeling while expressing the power and beauty of the human body in motion.
Migrants in Asia, lonely and struggling to provide for their families far away find solace in poetry. Some migrant poets are respected for the first time, being seen as intelligent, fellow humans by the host countries that often take advantage of migrants' willingness to labor in hard jobs that they themselves won't take, even eyeing them with suspicion. For The Economist magazine.
It was an interesting challenge to work with the subject of "conscience" for The Economist's Banyan current article about Indonesia coming to terms with a dark period in its past. Public discussion had been taboo until now, but the government-condoned murders of over 500,000 people or more who sympathized with the communist party between 1965 and 1966 has now been brought out into the light.
Here's something I recently created for The Chronicle of Higher Education for an article about students carrying guns in Texas classrooms and on campus without anybody knowing about it.
Derek May, director of the Drawing Dream Foundation requested prints of two of my latest images for their annual charity fundraiser on the charity buzz auction. My prints are limited edition glicee prints on 30” x 24” watercolor paper with archival inks. Drawing Dreams donates art supplies to children in hospitals in the US and Canada.
Thanks to Nancy Samotis for commissioning two large glicee prints for the Yale-New Haven Hospital in Connecticut. The art is designated for the Center for Musculoskeletal Care. The theme was "motion".
Many thanks to editors, Robert Klantin and John O'Reilly for featuring fifteen of my illustrations in a new book by Gestalten publishers on contemporary illustration, titled "Illusive". All of my selected images were created for the Economist's "Banyan" column, dealing with the topic of Asian politics.
I was commissioned by Rebekah Raleigh to illustrate a series of illustrations for Kellogg School of Management for the Forbes website. The articles present ways that big companies can adapt to challenges that are posed by smaller, nimbler startups in the digital age.
This piece was for the Economist's Banyan column, showing tears being shed by remorseful politicians in Hong Kong when they lost their democratic right to vote for candidates for their leader.
Here is another illustration for the Economist's Banyan Column about prejudice towards women in South Asia and the hardships they endure.
The illustration I created for this week's Banyan is about the many Rohingya refugees and other migrants fleeing Myanmar for safe haven who are stranded at sea, packed tightly on small boats with dwindling supplies. They are often victims of violent criminals and corrupt smuggling networks, and they are being pushed away from shore to shore. This week's article talks about the callousness of the neighboring nations whose beaches they seek. Specifically the article censures ASEAN, an organization that holds conventions for human rights, while turning a cold shoulder to these people who need help.